Vem Kan Bli Producents producentprogram är en åtta månader lång kurs i musikproduktion som riktar sig till kvinnor och transpersoner.
I Stockholm är programmet inne på sitt fjärde år, och under 2018 startades två kortare versioner av programmet även i Malmö och Göteborg.
Vem kan bli producent drivs i Riksorganisationen Popkollos regi och vänder sig till deltagare från 18 år och uppåt.

Producentprogrammet syftar till att tillgängliggöra teknik, kunskap, lokaler och kontaktnät för en underrepresenterad grupp inom musikbranschen.
Under kursens gång lär sig deltagarna allt från inspelning, mixning och mastering, till ellära, branschkunskap och workflow.

På EMS jobbar vi främst med syntes under delmomentet som vi kallar för Analoga Signalvägar och Ellära, vilket sker halvvägs genom kursen.

Det går inte att anmäla sig till kursen via EMS. För mer information om framtida kurser gå till


Vem Kan Bli Producents producer program is an eight-month course in music production aimed at women and transgender people
from the age 18 and up.  In Stockholm, the program is in its fourth year, and in 2018 two shorter versions of the program were also started
in Malmö and Gothenburg. Vem Kan Bli Producent is a part of the organization Popkollo.
The producer program aims to make technology, knowledge, premises and contact networks accessible for an underrepresented
group in the music industry. During the course, the participants learn everything from recording, mixing and mastering, basic electronics,
knowledge of the industry and workflow.

At EMS, we mainly work with synthesis during the sub-module, which we call Analouge Signals and Basic Electronics, which takes
place halfway through the course.
It is not possible to register for the course via EMS. For more information on future courses go to

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Build a digital wavetable synth and printed circuit board artwork in a workshop with Dirty Electronics and Max Wainwright.

Date and Time: Sat 19 May 2018at 14:00 – 17:00 

Cost: 300 SEK

Email:  to join workshop

Calling all activists, sound artists, and pseudo philosophers. Individual political texts, protests and manifesto will be written to EEPROM of a chip on an artwork printed circuit board. The text determines which programs are available and in which order they are read. Controls are a singular button, microphone and touch.

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This presentation includes a lecture, “Body as Instrument” and a performance of three short pieces for muscle-music interface, Le Loup, Lifting, and Myogram.
The presentation will be held at EMS on Thursday 24 May at 19.00-20.30.

Body as instrument
The talk considers the human body as musical instrument. To do so, we look at the use of physiological signals, notably the electromyogram, as a way to capture the gestural intention and effort of the performer. The use of biomedical technologies as computer interfaces, however, do not automatically comprise a musical instrument. To imagine a system that affords expressive musical performance, we will think about the notion of the “instrument”, and contrast it with concepts of the “tool” predominant in our technoculture.
Le Loup Lifting Myogram
In the performance the instrument captures electromyogram (EMG) signals reflecting muscle tension. The system renders as musical instrument the performer’s own body, allowing him to articulate sound through concentrated gesture. The sources are natural and synthetic sounds, and sounds of the body.
In Le Loup, howling wolves are stretched and sculpted. In Lifting whistling oscillators modulated. In Myogram, a direct sonification of muscle cell action potentials is heard as a stochastic pulse train reflecting limb activity and feed resonators and filters. The work is the result of the MetaGesture Music project, which was supported by the European Research Council (FP7-283771). 

Atau Tanaka's first inspirations came upon meeting John Cage during his Norton Lectures and would go to on re-create Cage’s Variations VII with Matt Wand and :zoviet*france:. In the 90’s he formed Sensorband with Zbigniew Karkowski and Edwin van der Heide. His work has been presented at Ars Electronica, SFMOMA, Eyebeam, V2, NTT-ICC, and ZKM. He has worked at IRCAM, Artistic Co-Director of STEIM Amsterdam, and researcher at Sony Computer Science Laboratory (CSL).  He is Professor of Media Computing at Goldsmiths, University of London.
Atau Tanaka
Photo: Martin Delaney
Detta är en synth DIY-träff för de som är intreserrade av att bygga sin egen Serge-synth med kitet från 
Efter den uppskattade introträffen som hölls i november fokuserar vi denna gång på montering och trimning av bygget men det går så klart även att komma förbi och titta, testa och ställa frågor även om ni inte har börjat bygga än. Jon kommer att ha med några kit även denna gång. 

Tiderna är drop in mellan 18-21.00, Adress: EMS, Söder Mälarstrand 61.

Vi planerar fler träffar i framtiden om ni missar denna på grund av kort varsel, nästa hålls 28 februari. 
Evenemanget presenteras av Jon från och EMS.


This is a DIY event for people interested in building a Serge synthesizer using the kit from
After a highly appreciated introduction evening in November we continue with a focus on the final assembly and trimming of the kit.
You can of course come and just ask questions, and try the kit out even if you have not yet started building and just want to know more. 
Jon will bring a couple of kits.

The time for the meeting is drop in between 18-21, Address: EMS, Söder Mälarstrand 6.

We are planning to host more of these events if you missed this due to this late announcement, the next one is on the 28th February, same time.
The DIY is Presented by Jon from and EMS.

fil 2018 02 02 10 16 20
tocante phashi 2 ctrlmodWe are excited about having Peter Blasser as a mentor for our next workshop that will take place at EMS on 18th of November. We think we don’t have to introduce Peter much because he is a legend already. For those who do not know, he is the one behind Ciat Lonbarde instruments (
In this workshop, Peter will guide us in building one of his invented instruments called Tocante (
It is solar powered touch and breathe controlled instrument which we just love. After building our instruments we will solar charge them for the jam session that will follow directly after.
Price for the workshop is set to 3200 SEK including VAT (Moms) - Instrument is included in the price. Workshop is limited to 12 participants so make sure you book your place as soon as possible. Please send an email to to reserve your spot and instrument or if you have any question.
Payment will be needed to be made in advance. No prior soldering experience needed.

Welcome to this free C3IC Workshop with Gabriel Prokofiev (UK) and Etienne Abelin (CH)

When: Sat Nov 11, 12-2 pm
Where: Elektronmusiktudion (EMS), Söder Mälarstrand 61.

NB: The number of participants in the workshop is limited. Drop a mail to Ragnar Berthling
at Musikcentrum Öst () and await confirmation and instructions of preparation. We will provide ”fika”.

The past years we’ve seen vibrant initiatives in the scene of contemporary classical music. New venues, new concert forms and
brave musical experiments has attracted new audiences and merged club formats seamlessly with classical music and DJ sets. Composer,
DJ and musician Gabriel Prokofiev has been running his club format Indie Classical in London for some years, creating a whole new plattform
and together with the conductor, festival arranger and musical activist Etienne Abelin from Zürich, C3IC and Sound of Stockholm offers
a unique workshop for curios and creative minds in the classical and contemporary music scene.

What is C3IC?
A Pan-European collaboration between Piranha Arts, Tallinn Music Week, Sound of Stockholm, Cross-linx and Indie-Classical, supported
by national funds and the European Union’s Creative Europe fund. Four artists (U:&Ekke, Hauschka, In Code and there are no more four seasons)
perform and make new musical collaborations at the aforementioned festivals. Meetings, talks, workshops and development of the
Indie Classical Network are also a vital part of the project.

The workshop is organised by Musikcentrum Öst/SEKT in collaboration with EMS, Sound of Stockholm and C3IC- project.

Skärmavbild 2017 11 03 kl. 14.36.42Skärmavbild 2017 11 03 kl. 14.36.55



Serge DIY 1
DIY workshop 7 november  kl 18.00-20.00 (English below)

Bygg din egen två panelers Serge Paperface modulsynt! Detta är en bra rivstart för att komma igång med avancerat syntbyggande.
Workshopen är uppdelad i två delar; vi börjar med en introduktion till projektet, planering och vilka delar och verktyg som behövs.
Sen går vi hem och löder och ses igen 6-8 veckor senare då vi hjälps åt att felsöka, göra klart, trimma och sätta ihop alltihop!

Kit finns till försäljning på introduktionsträffen.
Ni kan läsa mer om moduler och se komponentlista med mera på
Dag 1, Tisdag 7:e november på EMS, Söder Mälarstrand 61, kl 18.00-20.00
Vi startar workshopen med en två timmars genomgång av projektet och en titt på delar och halvfärdiga/färdiga enheter.
Dag 2, TBD på EMS, Söder Mälarstrand 61. En heldag då vi bygger klart, felsöker, trimmar och spelar!
Anmäl er på och berätta om ni vill ha ett kit eller redan har ett. Givetvis är det ok att komma förbi och titta om ni bara är nyfikna också!
Workshoparna presenteras av Jon från och EMS.

Thursday 2 November at 17.00 and 19.00: Daniel Teruggi, Musical Research Group, GRM at National Audiovisual Institute of France (INA) in Paris, 

will do a Lecture and Concert at KMH - Kungliga Musikhögskolan

17:00-18:30 Lecture Thinking Sound and Music through Technology

19:00 Electroacoustic Concert in the KMH Sound Dome
Bernard Parmegiani La roue Ferris (1971)
Daniel Teruggi Transmutations (2008)
Pierre Henry Labyrinthe (2003),
Daniel Teruggi Springtime (2013)

Born in Argentina in 1952, Daniel Teruggi has developed his professional career in France, where he lives since 1977.
Composer and researcher, he works since 1981 at the Musical Research Group, GRM, within the National Audiovisual Institute of France (Ina) in Paris.
He has been the Director the GRM, since 1997 and Director of the Research and Experimentation department of Ina from 2001 to 2016.

In the Research domain, he has been actively working on the preservation of audiovisual collections and particularly electroacoustic music.
He has been the coordinator of the FP6 European project PrestoSpace, dedicated to the development of new technology for Digital preservation
and the FP7 European project PrestoPRIME, dedicated to the long-term preservation of audiovisual digital contents.
He is General Secretary at the International Federation of Audiovisual Archives (FIAT/IFTA).

He has composed nearly 80 works, mainly for the concert and always using electroacoustic devices with or without acoustic instruments.

Daniel Teruggi is the author of numerous research articles related to sound and musical perception as well as musical analysis. His music has been performed in more than 30 countries and published in different CD collections.
He is a founding member of the International Electroacoustic Musical Studies network.

This is a collaboration between EMS and KMH

Ems Stockholms foto.
A Portrait of the Artist as a Young Man
A presentation of acoustic & electroacoustic music of Ákos Nagy,
where he reveals his composing techniques and guides us among his different psychoacoustic experiments.
Àkos´s art is synthetic and shows a synthesizing tendency which is built from the Netherlandish polyphone tradition. He examined Gothic and late Renaissance music, traces of which show up in his later music along with elements of Transsylvanian, Indian, Khmer, Balinese and Japenese classical culture.
He is researching the rhythm and tone systems outside Europe. He turns towards exploring new forms and structures, filling them with his characteristic take on melody which usually origins from non-tempered (just intonation) systems. His music juxtaposes solid blocks of sound that keep reprising accumulatively - a method he branded 'layering technique'.

His music is influenced by the I-II World War avant-garde, the American experimental, the early psychedelic music, many European and outside Europe folk music and former arts.
In his pieces, he shows a penchent for mathematical series, textures arranged after priciples of variation which are substantiated with polyrhythmic, polytempoed, polymetric patterns of melody and rhythm.
During the course of the presentation the composer not only speaks about his pieces but also performs them. 

Free entrance

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Foto: Bengt Bergström

Tonsättaren Folke Rabe har gått bort. Han studerade vid Kungl Musikhögskolan i Stockholm 1957-64 för bland andra Valdemar Söderholm, Bo Wallner, Karl-Birger Blomdahl, Ingvar Lidholm, György Ligeti och Witold Lutoslawski.

Inom den moderna konstmusiken var Rabe en företrädare för improvisationsmusik och grafisk notation. Senare utgjorde musik för mässingsblåsinstrument en markant del i hans verklista. Han har också komponerat uppmärksammade körmusikverk, bland dessa kan nämnas "Pièce" och "Rondes", samt elektroakustisk musik -bland annat stycket "Va?? Was?? What??" inspelat i den gamla "Klangverkstaden" på EMS i Sveriges Radios historiska lokaler på Kungsgatan 8.

Som jazzmusiker spelade Folke Rabe med bland andra Arne Domnérus storband och Harry Arnolds radioband. Han valdes in som medlem i Föreningen svenska tonsättare 1965. Under åren 1968-80 var han programdirektör på Rikskonserter och ansvarig för uppbyggnaden av "Elektronmusikslådan", vars viktigaste komponent var den Serge synthesizer som idag finns i Studio 6 på Elektronmusikstudion.

1980-2000 arbetade han som bl a musikproducent på Sveriges Radio. Folke Rabe blev 81 år. 

12th September 17:00–20:00, Elektronmusikstudion EMS. The lecture is free and held in English.
Please register via e-mail to
How can class, race, gender and sexuality be expressed through sound technologies? This question has motivated and transformed Yvette Janine Jackson’s
creative practice and research.

In this talk Yvette will explore how electroacoustic music can be used to express identity outlining the history and development of this practice based research
and presenting excerpts of her fixed media pieces.
Yvette Janine Jackson is a composer of electroacoustic, chamber, and orchestral musics for concert, theatre, and installation blending various forms into her
own aesthetic of narrative soundscape composition, radio opera, and improvisation. Her works often draw from history to examine relevant social issues.
This lecture is a collaboration between Stockholm Academy of Dramatic Arts (SADA) and EMS as part of the independent course Feminist Perspectives in Sonic Arts.

SOLAR RETURN / APO33 - Meeting and exchange – New music ensemble and composition
Friday 11th of August – 6pm – EMS, Conference Room

During their residency at EMS, Artists Jenny Pickett & Julien Ottavi (APO33) propose to open a space to exchange about research in new and experimental music with Swedish composers and musicians. Jenny and Julien will present their residency, APO33 and their approaches to composition followed by presentations from confirmed participants and an exchange with the audience.
Please feel free to join us and present your music and/or compositions.
To participate email :
jenny 1
more info: