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Kvinnliga kompositörers plats i det offentliga rummet genom historien utforskas med föreningen KVAST.

ABF presenterar ny studiecirkel i samarbete med föreningen KVAST - kvinnlig anhopning av svenska tonsättare.
Vid den tredje träffen, den 17 mars gör studiecirkeln på besök hos oss på Elektronmusikstudion för presentation av verksamheten och rundvisning.

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Hur har förutsättningarna för kvinnors musikskapande sett ut genom historien? 
Var, när och hur fick de plats för eget skapande och på vilket sätt mottogs detta, eller mottogs det inte, i det offentliga rummet. 
Från Hildegard av Bingen till nutid gör vi nedslag i tid och rum för att utforska detta. Med fokus på västerländsk konstmusik och genom läsande, diskusstioner och musiklyssnande fördjupar vi oss i ämnet med syftet att försöka förstå varför kvinnors musik än idag är en så liten del av den musik som spelas på världens konstmusikscener. 

Startdatum: 3/3
Veckodagar: Tisdagar
Tidpunkt: 18:00 - 20:30
Antal tillfällen: 4
Huvudledare: Ann-Christin Högnabb

 

 

We are happy to announce that you can now apply for the EMS Artist in Residence program!

Eomac/Ian McDonnell is a producer, composer, DJ and label owner. He has released genre-spanning music via ​The Trilogy Tapes, Stroboscopic Artefacts, Bedouin Records, Killekill ​and his own label ​Eotrax​ exploring the furthest reaches of intense, visceral music for body and soul. 

As a DJ and live performer he has played globally at festivals such as Unsound​, ​Lunchmeat​ and ​Krake​ and in clubs such as ​Berghain, Tresor, Concrete​ and ​Circus Tokyo​. An active collaborator he is involved in a number of projects, most notably the electronic duo ​Lakker​ with Berlin-based Irish producer / artist ​Arad​, Lena Andersson​ with the Japanese producer / composer ​Kyoka​ and noeverything​ with Irish producer / composer / vocalist ​LAIR​. With these projects he has worked with the acclaimed electronic music labels ​R&S Records​ and ​Raster​ and appeared at international festivals such as ​Atonal, Mutek​ and ​Rewire​. 

Alongside this he makes time for various side-projects and production work and​ ​also hosts a monthly ​Eotrax​ podcast on ​Dublin Digital Radio presenting new and old sounds from all over the world.


Photo by Sal Stapleton @ Goldmoth Media

Ian is at EMS in February collaborating with Kyoka. They will be composing new material for their Lena Andersson project on Raster Media.

EOMAC

 

Kyoka – the first solo female artist on the raster-noton roster - works as a musician/composer in Berlin and Tokyo and is known for her
chaotic and direct musical approach and a heavy-rough sound, resulting in a broken pop-beat with experimental yet danceable rhythms.

Kyoka Feb

Photo by Joji Wakita

Coming from the middle east region, and having travelled at a young age and as young adults to Europe due to a number of struggling situations linked to the whole complex geo-economical political cultural and environmental situation; however complex and critical we have been facing images of the south that are inadequate with the plural narratives that exists in the region. Thus we are desireful of building temporary links and opening spaces for aesthetic interaction between different territories and geographical regions in a complexity of "superimposed territories and intertwined histories" (E. Saïd, 1977)
 

Myriam Bleau is a composer, digital artist and performer based in Montreal. She creates audiovisual systems that go beyond the screen, such as sound installations and performance-specific musical interfaces. Her hybrid electronic practice investigates music performance as a codified cultural manifestation and seeks avenues of subtle disruption through the recontextualisation of pop culture elements and historical tropes. Her work has been presented and recognized internationally: Ars Electronica (AT), Sónar (ES), Sonic Arts Award (IT), Elektra (CA), ISEA (CA), Transmediale (DE), ACT (KR).
 
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Photo by Alba Rupérez

We welcome Francesco Torelli for a nine month internship @ EMS!

Francesco is a sound lover who graduated in electronic music at Conservatorio G.F. Ghedini Cuneo. His work is based on electroacoustic compositions, live performances and sound design for moving images (documentaries and movies).

In his music, he mostly uses digital and analog elaboration of recorded sounds, with the aim to give sound a meaning, paying attention to perception aspects. He is attracted by musique concrète and from the act of recording sounds, played or from the environment.

Francesco is still working to know his different faces of musical identity better. The work is never ending and lot of fun.
Francesco T