Concepción Huerta is a multidisciplinary artist with a strong background in audiovisual media and a deep focus on the sound spectrum.
Her work is developed in different practices such as sound design, installations, spatialized concerts, speculative narratives and immersive experiences.
Her approach to sound begins by reflecting on the relationship between silence-noise, political space, and the sound agent as a means of enunciation. She also investigates resonance, acoustic space and the physical and psychological impact of sound in relation to the listener.
Through recordings of everyday objects (foleys) and instruments such as synthesizers, her sound explorations, played and manipulated with tape recorders and processed tapes, create atmospheres based on elements of ambient and noise. She creates sound narratives, which, rather than being inserted into a specific musical genre, are closer to the construction of an imagined story. This incorporates the study of synthesis, electricity, voltage, formats and materiality as part of their approach to sound, while exploring from the most elemental level the translations created by bridging analogue and digital processes.
Concepción Huerta is a member of the experimental ensemble Amor Muere with Gibrana Cervantes, Camille Mandoki and Mabe Fratti, with whom she has collaborated in several publications. She has collaborated in sound with diverse artists such as: Fernado Vigueras, Rodrigo Ambriz, Martin Escalante, CNDSD, Resonancia, Reick Reed, Tommi Keränen, Camilo Angeles, Leslie Garcia, Daniela Huerta and Hara Alonso, among others.