{"id":14371,"date":"2026-06-08T10:18:17","date_gmt":"2026-06-08T08:18:17","guid":{"rendered":"https:\/\/elektronmusikstudion.se\/?page_id=14371"},"modified":"2026-06-09T10:02:13","modified_gmt":"2026-06-09T08:02:13","slug":"chantal-michelle","status":"publish","type":"page","link":"https:\/\/elektronmusikstudion.se\/en\/guest-composers\/guest-composers-2026\/chantal-michelle\/","title":{"rendered":"Chantal Michelle"},"content":{"rendered":"
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At EMS July 16–August 6, 2026<\/p>\n<\/div>\n\n\n

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Photo by Carolyne Lore\u00e9 Teston<\/figcaption><\/figure>\n<\/div>\n\n
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Chantal Michelle<\/a> is a composer and interdisciplinary artist whose work engages the spatial, tactile, and perceptual dimensions of sound. Her practice incorporates feedback systems, multichannel composition, and psychoacoustic phenomena to explore the mutability of perception and its capacity to be disrupted or reconstructed. Her projects include site-responsive installations, hand-blown glass instruments, conceptual scores, and recorded works.<\/p>\n<\/external-link-icon><\/div>\n\n

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Michelle\u2019s work and collaborations have been presented internationally at festivals, venues, and contemporary art spaces including the Royal Academy of Arts (UK), The Museum of Modern Art (US), Fridman Gallery (US), Cafe OTO (UK), MUTEK (MX), and Silent Green (DE). Her discography includes releases on Shelter Press, Dinzu Artefacts, Superpang, and Somewhere Press. She is a 2026 Villa Aurora Fellow in Composition, a 2026-2027 Cit\u00e9 des Arts artist-in-residence, and a 2025 recipient of the Arbeitsstipendium Ernste Musik und Klangkunst from the Berlin Senate. Her work has also been supported by the Foundation for Contemporary Arts, the Feminist Center for Creative Work, and the Sonic Arts Research Unit. Michelle holds an MFA from Bard College\u2019s Milton Avery Graduate School of the Arts.<\/p>\n<\/external-link-icon><\/div>","protected":false},"excerpt":{"rendered":"

Chantal Michelle is a composer and interdisciplinary artist whose work engages the spatial, tactile, and perceptual dimensions of sound. Her practice incorporates feedback systems, multichannel composition, and psychoacoustic phenomena to explore the mutability of perception and its capacity to be disrupted or reconstructed. 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