{"id":14073,"date":"2026-05-19T13:37:29","date_gmt":"2026-05-19T11:37:29","guid":{"rendered":"https:\/\/elektronmusikstudion.se\/?page_id=14073"},"modified":"2026-05-19T13:49:25","modified_gmt":"2026-05-19T11:49:25","slug":"itza-garcia","status":"publish","type":"page","link":"https:\/\/elektronmusikstudion.se\/en\/guest-composers\/guest-composers-2026\/itza-garcia\/","title":{"rendered":"Itz\u00e1 Garc\u00eda"},"content":{"rendered":"<div class=\"w-constrained\">\n\t<p class=\"mb-4 font-light font-text-font text-large-text leading-large-text md:mb-10\">At EMS November 9&ndash;14, 2026<\/p>\n<\/div>\n\n\n<div class=\"richtext w-constrained\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"640\" src=\"https:\/\/elektronmusikstudion.se\/wp-content\/uploads\/sites\/6\/2026\/05\/Itza-Garcia_beskuren-1024x640.jpg\" alt=\"\" class=\"wp-image-14081\" srcset=\"https:\/\/elektronmusikstudion.se\/wp-content\/uploads\/sites\/6\/2026\/05\/Itza-Garcia_beskuren-1024x640.jpg 1024w, https:\/\/elektronmusikstudion.se\/wp-content\/uploads\/sites\/6\/2026\/05\/Itza-Garcia_beskuren-300x188.jpg 300w, https:\/\/elektronmusikstudion.se\/wp-content\/uploads\/sites\/6\/2026\/05\/Itza-Garcia_beskuren-768x480.jpg 768w, https:\/\/elektronmusikstudion.se\/wp-content\/uploads\/sites\/6\/2026\/05\/Itza-Garcia_beskuren-1536x960.jpg 1536w, https:\/\/elektronmusikstudion.se\/wp-content\/uploads\/sites\/6\/2026\/05\/Itza-Garcia_beskuren.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n<div class=\"w-constrained richtext\"><external-link-icon>\n<p>Itz\u00e1 Garc\u00eda (b.1993, M\u00e9xico) Itz\u00e1 Garc\u00eda (b. 1993, M\u00e9xico) is a composer focused on time, intimacy, and machine aesthetics in technology-mediated art music. Her work engages the transformations of acoustic instruments under technological mediation (augmented, extended, or dissolved into gestural interfaces). In recent work, she has redesigned instrumental parts to alter the tunning of instruments and has fed field recordings of weathered instruments into neural networks, embedding time and texture into the timbre of AI-generated sound. Through her duo \u201cImmediate Ensemble\u201d Itz\u00e1 has developed improvisations for Virtual Reality environments and live electronics.<\/p>\n<\/external-link-icon><\/div>\n\n<div class=\"w-constrained richtext\"><external-link-icon>\n<p>Her work has been performed at the Ars Electronica Festival, the New York City Electroacoustic Music Festival (NYCEMF), the Mise-En Festival, the Miami Art Week MUD Foundation Sound of Art Program, among others. Performing artists include JACK Quartet, Ensemble Musikfabrik, Yarn\/Wire, Talea Ensemble, Ensamble CEPROMUSIC, PinkNoise, and Mise-En Ensemble. She has been recognized by the Atlantic Center for the Arts, the ICST Artist Residency at the Zurich University of the Arts, and the CONACYT Grant for Graduate Studies (2018). She also received the Art Science Connect Fellowship for her work co-organizing the innovation:SOUND:technology series.<\/p>\n<\/external-link-icon><\/div>\n\n<div class=\"w-constrained richtext\"><external-link-icon>\n<p>Itz\u00e1 is currently based in New York City, pursuing a Ph.D. degree in composition at The Graduate Center, CUNY. She is co-founder and co-organizer of the overdrive electronic music festival in New York.<\/p>\n<\/external-link-icon><\/div>\n\n<div class=\"w-constrained richtext\"><external-link-icon>\n<p>Her project at EMS includes composing a work for sensor-augmented performer and live electronics. This will be a continuation from previous projects that integrate sensor interfaces such as eye-trackers (self-designed), gyroscopes and motion tracking sensors.<\/p>\n<\/external-link-icon><\/div>","protected":false},"excerpt":{"rendered":"<p>Itz\u00e1 Garc\u00eda (b.1993, M\u00e9xico) Itz\u00e1 Garc\u00eda (b. 1993, M\u00e9xico) is a composer focused on time, intimacy, and machine aesthetics in technology-mediated art music. Her work engages the transformations of acoustic instruments under technological mediation (augmented, extended, or dissolved into gestural interfaces). In recent work, she has redesigned instrumental parts to alter the tunning of instruments [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":11646,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-14073","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Itz\u00e1 Garc\u00eda - Elektronmusikstudion<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/elektronmusikstudion.se\/en\/guest-composers\/guest-composers-2026\/itza-garcia\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Itz\u00e1 Garc\u00eda - Elektronmusikstudion\" \/>\n<meta property=\"og:description\" content=\"Itz\u00e1 Garc\u00eda (b.1993, M\u00e9xico) Itz\u00e1 Garc\u00eda (b. 1993, M\u00e9xico) is a composer focused on time, intimacy, and machine aesthetics in technology-mediated art music. 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